Janet C Berlo and Ruth B Phillips Native North American Art 2015 Pdf

Native North American Art

2nd Edition

Janet Catherine Berlo and Ruth B. Phillips

New to this Edition:

• New features, including "Object in Focus," "Technique in Focus," and "Artist in Focus" boxes, are in every chapter
• Updated and expanded coverage of contemporary Native American Art
• More than 225 images, many new to this edition
• New glossary, timelines, and an updated bibliography

Native North American Art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Description

This lively introductory survey of indigenous Due north American arts from ancient times to the present explores both the shared themes and imagery establish across the continent and the distinctive traditions of each region. Focusing on the richness of artwork created in the U.s.a. and Canada, Native North American Art, 2nd Edition, discusses 3,000 years of architecture, wood and rock carvings, basketry, dance masks, vesture and more than. The expanded text discusses twentieth- and twenty-first-century arts in all media including works by James Luna, Kent Monkman, Nadia Myre, Jaune Quick-to-See Smith, Volition Wilson, and many more than. Authors Berlo and Phillips incorporate new enquiry and scholarship, examining such issues equally fine art and ethics, gender, representation, and the colonial come across. By bringing into one conversation the seemingly split realms of the sacred and the secular, the political and the domestic, and the formalism and the commercial, Native N American Art shows how visual arts not but maintain the integrity of spiritual and social systems within Native Due north American societies, but have long been part of a cross-cultural feel too.

Previous publication dates

November 1998

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Native North American Art

2d Edition

Janet Catherine Berlo and Ruth B. Phillips

Table of Contents

List of Abbreviations
Timeline
1. An Introduction to the Indigenous Arts of North America
Fine art history and Native Art: The Challenge of Inclusion
--Modes of Appreciation: Marvel, Specimen, Art
--OBJECT IN FOCUS: The National Museum of the American Indian
--Expanding Fine art History'due south Inclusivity, and Defining "Fine art"
Colonial Legacies
--Ownership and Public Display
-ISSUE IN FOCUS: 'Who Owns Native Culture?
--Commodification and Authenticity
--Who Is an Indian? Clan, Customs, Political Construction, and Fine art
Spiritual Practices and the Making of Art
--The Map of the Cosmos
--The Nature of Spirit
--Dreams and the Vision Quest
--Shamanism
Social Practices and the Making of Art
--Public Celebration: Displaying and Transferring Power and Say-so
--The Power of Personal Adornment
--"Creativity Is Our Tradition": Innovations and Retention
--Gender and the Making of Fine art
--Creative person IN FOCUS: Kent Monkman--Repainting Fine art's Histories
2. The Southwest
The Southwest equally a Region
The Ancient Earth: Anasazi, Mimbres, Hohokam
--Ancestral Puebloan Architecture, Ritual and Worldview
--Ancestral Puebloan Fiber Arts
--Ancestral Puebloan Pottery
--An Blithe Universe: Mimbres Painted Bowls
--OBJECT IN FOCUS: Mimbres Pottery Designs--Trajectories and Transformations
--An Animated Universe: Mimbres Painted Bowls
--Hohokam Art and Civilization
--Paquimé: Crossroads of Cultures 1250 - 1450 C.E.
From Late Precontact to the Colonial Era to the Modern Pueblos
--Pecos Pueblo: An Intercultural Zone
--Pueblo Architectural Space and Ritual Performance
--Pueblo Pottery
--ARTISTS IN FOCUS: Maria and Julian Martinez
Navajo and Apache Arts
--Arts of Medicine and Operation
--Navajo Weaving and the Powers of Transformation
--MATERIALS IN FOCUS: Wools for Navajo Weaving
--Apache and O'odham Baskets
--Navajo and Pueblo Jewelry
3. The East
The Eastward as a Region
--Precontact Art Traditions: Archaic, Woodland, and Mississippian Civilizations
--The Primitive Period
--The Woodland Period
--Mississippian Art and Culture
The Southeast: The Cataclysm of Contact
--A Continuum of Basketry: Chitimacha Traditionalism and Across
--Reconfiguring Southeastern Arts: Seminole and Miccosukee Textiles
The Northeast and the Great Lakes
--The Early Contact Menstruum
--Arts of the "Middle Ground"
--Arts of Cocky-Beautification
--OBJECT IN FOCUS: The Assiginack Canoe
--Techniques in focus: Quillwork and Beadwork
--In the Bag: A Mini-History of Change Told Through Numberless
--ARTIST IN FOCUS: Caroline Parker
--Souvenir Arts
four. The Westward
The West as a Region
--The Bully Plains
--The Plateau, The Great Basin, and California
Fine art of the Great Plains
--Women's Arts
--TECHNIQUE IN FOCUS: Tanning a Hide
--Men'south Arts
--Arts of Survival and Renewal
--ARTIST IN FOCUS: Silver Horn: Chronicler of Kiowa Life
--An Aesthetic of Excess
--Métis Art: "The Flower Beadwork People"
The Intermontaine Region-An Artistic Crossroads
--OBJECT IN FOCUS: A Helpmate'south Wealth and a Community's Wealth
The Far Westward: Arts of California and the Swell Bowl
--Chumash baskets and the California Mission System
--The ''Basketry Craze'' and the Arts and crafts Movement
--Lower Klamath River baskets
--Pomo baskets: "Wrought with Feathers"
--Washoe Baskets and the Power of Marketing
5. The North
The Due north as a Region
Arts of the Boreal Forests
--The Beothuk: "Perhaps They Were Not All Erased"
--Vesture Arts to Delight the Animals
--Painted Coats of the Innu: Pleasing the Spirits of Caribou
--The James Bay Cree: From Painted Geometries to Beaded Flowers
--Dene Clothing for Protection and Beauty
The Chill
--Ancient Artists of the Arctic
Historic and Gimmicky Arts of the Chill
--Arctic Architecture: Igloo, Tent, and House
--Garments for Warmth and Beauty
--TECHNIQUE IN FOCUS: Working with Gutskin
--Artist IN FOCUS: Nivisanaaq and Her Beaded Parka
--Arts of Festival, Performance, and Success in the Hunt
--OBJECT IN FOCUS: The Ttravels of a Raven Mask
--Arts for New Markets: Baskets, Carvings, Dolls, and Textiles
--Graphic Arts: Chronicling Life and Recalling the Past
Toward the Xx-First Century in the N
6. The Northwest Coast
The Northwest Coast as a Region
The Development of Styles: Local Variations and Regional Continuities Across Fourth dimension
--The Origins of Northwest Coast Artistic Styles: The Archaeological Tape
--The Early Contact Period
--The Formline Style
--Western Connoisseurship and Northwest Coast Art
--TECHNIQUE IN FOCUS: Finger-weaving a Chilkat Blanket
--OBJECT IN FOCUS: A Tsimshian Mask and Questions of Patrimony
Contexts for Art: Power, Status, and Cross-Cultural Substitution
--Shamanism
--Crest Art
--The Potlatch
--Art, Commodity, and Oral Tradition
-- ARTISTS IN FOCUS: Charles and Isabella Edenshaw
Northwest Coast Art Since the First of the Twentieth Century
seven. Native Art 1900-1980: Moderns and Modernists
The Multiplicity of Modernisms
--Bug of Definition: Indigenous, Modern, Modernist
--Primitivism, the "Time-Lag," and Multiple Modernisms
--The "Contemporary Traditional" in Twentieth-Century Art
--Moments of Offset
--Schooling the Modernistic Native North American Artist
--The Southern Plains and the Kiowa V
--Pueblo Painting and the Rise of the "Studio Mode"
--The Display and Marketing of American Indian Art: Exhibitions, Mural Projects, and Competitions
--OBJECT IN FOCUS: "Book Cover of "Introduction to American Indian Art" (1931)
Moderns and Modernists at the Mid-Century
--Pioneering Modernists: Howe, Herrera, Houser
--The Constitute of American Indian Arts
--Twentieth-Century Native Art in Alaska
--Institutional Frameworks and Modernisms in Canada
--Inventing 'Inuit Art'
--TECHNIQUE IN FOCUS: Inuit Stonecut Prints
--Tradition in Modernity on the Northwest Coast
--Anishinaabe Modernistic and Plains Abstraction: Morrisseau and Janvier
Artists and Activists in Canada: The 1970s and 1980s
--The Indians of Canada Pavilion at Expo 67
--Professionalization and Experimentation: Decolonizing Modernism
--ARTIST IN FOCUS: Fritz Scholder
eight. Native Cosmopolitanisms: 1980 and Across
The 1980s and the Rise of a Contemporary Native Art Movement
--The Artist as Trickster
--Institutional Contexts
Gimmicky Art: Media, Expressive Modes, Artistic Choices
--Painting and Graphic Arts
--ARTIST IN FOCUS: Jaune Quick-to-Run across Smith--Creative person and Abet
Photography
Craft in Art: Fiber, Metal, Clay, and Across
CONCEPT IN FOCUS: What is "Arts and crafts"?
Sculpture and Mixed Media
Installation
OBJECT IN FOCUS: Edgar Heap of Birds' Wheel
Performance
Motion picture, Video, and New Media
Preeminent Bug in Native Fine art Since 1980
--Postcolonial Perspectives on Sovereignty, Home, and Homelands
--Ecology and the Country
--The Native Body
--Globalism and the Transnational
Conclusion: "Gloat twoscore,000 Years of American Art" - But Exist Vigilant
Notes
Bibliographic Essay
Index

Native North American Art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Author Information

Janet Catherine Berlo is Professor of Visual and Cultural Studies at the University of Rochester. She has taught Native American art history as a visiting professor at Harvard, Yale, and UCLA, and has received grants from the Guggenheim Foundation, the Getty Foundation, and the National Endowment for the Humanities.

Ruth B. Phillips is Canada Inquiry Chair and Professor of Fine art History at Carleton University in Ottawa. She has served as managing director of the University of British Columbia Museum of Anthropology and as president of Comité International d'Histoire de l'Art (CIHA), UNESCO'southward world fine art history organization. She has been a visiting professor at Cambridge and Harvard Universities and is a young man of the Royal Society of Canada.

Native North American Fine art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Reviews and Awards

"The Second Edition of Native N American Art updates a canonical text in the field of Native American Art History with key theoretical, methodological and artist additions. Initially instrumental in shaping the field of Native American Art History, this edition continues to influence critical interactions with critiques on modernism, materiality and indigenous authorship. Unique to this undergraduate text is the integration of the legacy of colonialism equally a foundational structure in the analysis of Native American Art History. Teasing out the tensions between the histories of Native American Art, electric current theoretical approaches, and art dealing with critical ethnic issues, this text expertly charts a course through thousands of years of 'American' art."--Jolene Rickard, Cornell University

"The quality of the scholarship and the accessibility of the writing--for general undergraduates, as well as those who have some background in art history or Native American studies--make this text very useful for my teaching."--Pecker Anthes, Pitzer Higher

"Native N American Art is absolutely the best text in the field. Boggling in both range and depth, the text's main strengths are its comprehensive coverage, its inclusion of contemporary works, and its highly accessible and engaging writing way."--Jennifer McLerran, Northern Arizona University

"This text is meaty and concise, cheap for students, and written at a level appropriate for an introductory text."--Peri Klemm, California Land Academy, Northridge

"Native North American Art does an first-class job of explaining the rationale behind the production of Native American art. The photos, maps, and boxed topics are great for clarifying specific themes, ideas, and processes."--Andrea Donovan, Minot State University

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